aurei

  1. TITUS AND THE BULL

    The piece of jewelry is based on a design inspired by a gold coin minted in Rome around 74 AD under the reign of Emperor Titus, while acting under the authority of his father, Vespasian. The obverse features the laureate portrait of Titus facing right, with the inscription indicating his imperial title: T CAESAR IMP VESPASIAN (“Titus Caesar Emperor [son of] Vespasian”). The reverse depicts a standing bull (sometimes described as a charging bull) facing right, on a ground line. The legend (in the exergue) COS III indicates Titus’s third consulship, which is crucial for precisely dating the coin to the year 74 AD.

    TITUS AND ROME

    The piece of jewelry is based on a design inspired by a gold coin minted in Rome around 77–78 AD under Emperor Vespasian in the name of his son and successor, Titus. The obverse shows the laureate head of Titus facing right with the inscription indicating his imperial title: T CAESAR IMP VESPASIAN (“Titus Caesar Emperor [son of] Vespasian”). The reverse depicts the goddess Roma helmeted and seated on a pile of shields, holding a spear. At her feet is the Capitoline Wolf suckling the twins Romulus and Remus, flanked by two birds in flight.

    VESPASIAN AND THE TEMPLE OF VESTA

    The piece of jewelry is based on a design inspired by a gold coin minted in Rome around 73 AD during the reign of Emperor Vespasian. The obverse features the laureate portrait of Emperor Vespasian, with the inscription indicating his imperial title: IMP CAES VESP AVG CENS. The reverse shows a depiction of the round Temple of Vesta in the Roman Forum, with the goddess Vesta inside, flanked by columns.

22,00 

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Lo smalto colorato fa da sfondo e la smaltatura viene completata da una vernice trasparente. Lo smalto e la vernice vengono applicati su entrambi i lati.

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Scheda Archeologica

“Pecunia non olet”

“Money has no smell”

A Latin phrase that has crossed centuries and entered our daily conversations. We all know its meaning: money has no smell. To Roman ears, the expression must have sounded even more poignant: the word pecunia actually comes from pecus, meaning “herd” or “livestock,” referencing an economy still rooted in barter where farm animals represented wealth meant for trade. But where did this phrase originate, and, above all, how should it be understood?

The Latin idiom comes from Suetonius—and was later picked up by Cassius Dio (Hist. LXV, 14), a biographer and intellectual at the turn of the 1st and 2nd centuries AD. It is taken from one of the imperial biographies collected under the title De vita Caesarum, “The Lives of the Twelve Caesars” (VIII, 23). The biography containing the phrase “pecunia non olet” is the Life of the Deified Vespasian, the emperor who ruled Rome from 69 to 79 AD. He was the first of the Flavian dynasty, known to history for initiating the construction of the Colosseum and for his victory over the Jews in 70 AD, but best known to most for introducing a tax on the collection of urine from public latrines—used by dyers for its ammonia content—which led to public toilets in Italy being named vespasiani.

Here is the passage featuring the expression:

“When his son Titus criticized him for devising even a tax on urine, Vespasian held to his nose the money derived from the first payment, asking him if he was offended by the smell; and when Titus replied that he was not, Vespasian said: ‘And yet, it comes from urine.'”

— Suetonius, Life of the Deified Vespasian, 23
The phrase has thus become proverbial, meaning that one should not be overly scrupulous about the source of money.
Materiali e Tecnica

The piece of jewelry is crafted from bronze—brass and bronze—plated with yellow gold.

Hand-drawn design of the coin’s obverse and reverse, based on published images of an original specimen. The silver sheet used in crafting is 1 mm thick and made of Italian 925 sterling silver. The computer-refined design was laser-engraved onto the laser-cut sheet. Additionally, the background was laser-etched and later hand-enameled following the yellow gold plating. Six specialists contributed to the entire crafting process: the designer, the metalsmith, the laser technician, the gilder, and the enameler. Afterwards, the pendant was mounted via a drilled hole and a jump ring onto an Italian-made rolo chain

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